Bus Stop
This is the big time now, we must become adults now, he and
I, less he than I for like him I have been for some time now a child again. But
this is the big time, getting up and getting going, going to someplace where
they will not wait, to the bus stop of the school bus where the system says you
shall be there and the system will not wait because that is the system’s weight.
No more waiting, you shall be there, five hundred thousand others are at the bus
stops and who are we that they should wait for us when we have failed to get
there? Not like preschool these morning times that are coming, not
like yarn shops, no napping Irish Setters no ladies counting skeins when you
come on rainy days to browse and think of lovely colors. I forgot your inside
shoes once and went home to get them, I forgot your lunch bag once and went
home to get it, and in minutes I swung along this happy link between your
bright room and ours.
Driving to Camp
Driving to camp, not your first camp but your second camp,
not the close by one but the far away camp. At one end of this road is a house
it is our house, with some books and furniture and lamps that in the morning pull
the corners towards the middle of the house, and at the other end is another
house, a different house, with three Chinese ladies and no lamps but ceiling
lights and dirty walls like dirty walls in China but installed in this other house
which is where the road has its other end. There is a lady there and two girls
and one of them is beautiful, taller than she should be, so tall there is
nothing else besides a perfect face, a face so perfect I wonder why no one has
taken it why it is in this one single house on one single street at the road’s
other end.
Talking on the Road
The future is in this fact that because we drive we also
talk, unless we listen to Lady Gaga. Because after the driving you will be
gone, with these women or those women or any other women who are the women who
teach you, as I taught you five years running until we turned you over for the
days and pull the line in slowly only in the afternoons again, not too fast
again, too many questions makes you drop the hook again, but slowly, until you follow
the thread again and tell us of the day and drop your stories one by one into
the bucket that sits where we used to spend our time together.
South Side North Side
You ask why we are driving and why the driving is to the
North Side from the South Side and not the South Side from the North Side. The
North Side has the yarn shops and the bakeries and the Lego Store and the
Chinese camp with its beautiful girl and the mezuzah on the door of the house at
the end of the road, and the South Side does not have these. Because once upon
a time South Side people moved to the North Side is what Mama said and you ask
me why and I say because once upon a time new people moved to the South Side
and the old people didn’t want to share. Share what you say their neighborhood
I say why you say because the old people refused to live beside the new
people I say why you say because the new people were black I say. I don’t mind it, you say. I am happy to hear that for a
while but it doesn’t change the driving and it is still all very complicated.
7 comments:
Dude, I like that style of writing. Well done.
This is beautiful poetry. I especially like the imagery:
"and pull the line in slowly only in the afternoons again, not too fast again, too many questions makes you drop the hook again, but slowly, until you follow the thread again and tell us of the day and drop your stories one by one into the bucket that sits where we used to spend our time together."
Nostalgia isn’t what it had been. by Peter De Vries.
Amazing. Can't believe I waited so long to read this.
I absolutely love this blog. As a stay at home mom, I really appreciate a man who can do the same. I respect a man who is dedicated to being there for his family and all of your efforts hightly admirable.
Its a tough job but real men are always up for it. I find it sexy (although like one of your posts reads: it doesn't mean I want to sleep with you). :)(Smile)
Keep up the good work.
Many blessings your way,
Rae
VETSCH: Did she ever speak to you about the methods she employed in her writings?
BOWLES: Well, yes, she used to say that people thought she wrote for the sound but she really wrote for the meaning, for the sense. And that was just what people thought she didn't have, it didn't make sense. But she said, "Yes, it does. You have to read it carefully and it does make sense. That's why it's written." That intrigued a lot of people, because they didn't believe a word of it. I can see why. You cannot find a sense. She said, "It's right there. You just have to work at it."
VETSCH: Did she ever talk to you about her prerequisites for writing?
BOWLES: She said she liked a landscape. She liked to sit in front of a landscape but not facing it. With her back to it. She had a beautiful view from her garden but she never looked a it.
- Desultory Correspondence, an interview with Paul Bowles on Gertrude Stein
I would like to see more posts like this .
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