'The Island Pagoda'
from Foochow and the River Min by John Thomson
(1873)
I knew of Fuzhou
before our daughter was born there. The city’s name hung in the air of my
father’s study when I was small, together with the smoke from his pipe that
curled around other names I heard spoken there: Tientsin, Guangzhou, Xiamen,
Shanghai, Hankou, Nanjing. Interesting names, having something to do with his
work, but also printed over the old postage stamps he collected in rows of
black binders, names spelled in different European languages – Foochow,
Futschau, Fou-Tchéou – and stamped over the images of European sovereigns who
cleared the way before everything affixed to them.
One year after
bringing Mei Mei home from the once treaty port and now affluent modern city of
Fuzhou on China’s southern coast, memories like this take on new significance.
They are a link to my daughter, a rationale for why it is I who am her father
and not someone else, in the absence of any knowledge of who her biological parents were.
After the first traumatic months – the gorging and recovery from
undernourishment, the surgical removal of rotten teeth and the repair of a
cleft palate, the fearful howling and tentative attachment, the rotation of
various therapists through the house on a weekly basis – after all of this,
something akin to normalcy has settled upon our household. It no longer feels
like we have a boarder on the third floor, a small Queequeg coated in layers of
dust whose pointed teeth were carved by cavities rather than a Maori chisel.
I begin to consider
all the ways in which our daughter now fits ‘naturally’ into our family and its
history. I return to my philatelic memory and wonder, was it pure coincidence,
that I knew about Fuzhou and treaty ports long before I knew about other
things? Or that we would one day travel there to adopt our daughter? My
first sense is that it is coincidental, without a doubt. Families are matched
with children from across China; we could easily have been called to a place
that had not been a treaty port and that I had not heard of when I was
small. My frail effort to establish some sense of ‘deep’ paternity with
Mei Mei, something besides the legal kind that is embedded in all her
documents, is no more than a mythopoetic effort to compose a few harmonies from
a mass of moderately random experience.
Perhaps this is my attempt
to create the kind of link, the sense of connection, that is unselfconsciously
affirmed whenever a child is said to resemble a parent, or a grandparent, or to
have a certain trait that is reminiscent of how so-and-so used to tilt her
head, how she used to laugh, or how she used to notice this-but-not-that about
the world. In all of these ways we claim direct physical embodiment of our
ancestors. They are, in a sense, inside of us forever. A state of holy
communion that has long been the objective of ritual: when we consume the
divine, we are at one with it. We are not alone.
This sense of
belonging probably won't be available to Mei Mei.
Then again, obviously we are surrounded by people most of the time. Why limit oneself to the ancestors and their embodiment in our DNA? As I have learned from my uncle, who has been slowly but steadily tracing out our ‘family tree’, it is tempting to be selective about who we identify with among our forebears. When for a brief moment it seems as though a great great grandfather was a learned rabbi, a man respected by his community, or that another was a dandy, a cosmopolite and worldly success in the constrained world of the Czars, I become excited. I become less so before the photographs – a majority – of less distinctive though no less closely related folk.
Then again, obviously we are surrounded by people most of the time. Why limit oneself to the ancestors and their embodiment in our DNA? As I have learned from my uncle, who has been slowly but steadily tracing out our ‘family tree’, it is tempting to be selective about who we identify with among our forebears. When for a brief moment it seems as though a great great grandfather was a learned rabbi, a man respected by his community, or that another was a dandy, a cosmopolite and worldly success in the constrained world of the Czars, I become excited. I become less so before the photographs – a majority – of less distinctive though no less closely related folk.
Not only that, but
the complexity of descent over more than a few generations quickly becomes
boggling, and the notion of ‘family’ empties of meaning as the general
promiscuity of the human race becomes evident in the ever-ramifying branches of
each single ‘tree.’ I strongly suspect that few people care much about knowing
their ancestry beyond their mother, father, and grandparents – the people they
have personally known in their lives – because to go further back makes the
arbitrariness of our kinship structures plain.
So my
philatelic connection with Fuzhou may not be so meaningless. Or, at least, no
more meaningless than my (fictional) claim to be descended from a grand rabbi
in one line, rather than a serial embezzler in another, or any number of
similar choices of identification. Perhaps I carry something that was part of
them; but I also choose among them like so many books, some of which I wish to
read, and others, not.
Mei Mei doesn’t have
quite the same selection of books to choose from. A wing of
her library was destroyed when she was orphaned. But multiple wings have
been added since, with the prospect of still more to be built in the future. There
are many volumes at her disposal. Whether she will grow to be more concerned
with the ones she has lost, or with the ones she has gained, I can't predict.
2 comments:
I stumbled here from traveling through the interesting articles on the BAM! radio website.
You are a beautiful writer and Mei Mei is so lucky to have you as a father. As a mother of a little girl, I was touched by your heartfelt story. Thank you for sharing your tale.
Your site is really good and the posts are just wonderful. Thank you and keep doing your great work.
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